![]() We didn’t feel pressured to sound like the other bands that were playing the same shows in order to fit in. “Even though there were some stylistic throughlines, it was a very open environment. ![]() 4 :: SLAVES OF FEAR, which could only have come out of an open-minded DIY scene. He’s the kind of person who effortlessly uses words you’ve only ever encountered in writing as he sets up the series of events which led to the group’s forthcoming LP, VOL. ![]() “We were lucky to come out of a very fertile noise scene centered in Downtown/Eastside Los Angeles,” explains the trio’s vocalist Jake Duzsik, who, over the phone, sounds nothing like the silent, fog-shrouded apparition I’d seen lead the band’s recent set at-where else?-Hollywood Forever Cemetery. To add to the enigma, HEALTH’s live shows are almost entirely devoid of stage banter-just three energetic silhouettes testing the quality of our earplugs. As the LA experimental rock group has gracefully aged from the mathy harsh noise of their 2007 self-titled debut to their current adherence to pop structures and discernible vocals, they’ve always sounded like a surreal conversation between Hans Zimmer and Silversun Pickups at a Prurient set. Each of HEALTH’s four albums sound like something you’d accidentally stumble across on the deep web at any point between The Net ’s cyberterrorism anxieties of 1995 and the lush dilapidation of the Blade Runner universe in the year 2049.
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